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Type of Work

Mahogany Moods

$30.00$35.00

For saxophone, bass trombone, and piano / 13′ / Composed in 2015
Adapted for the following:
Viola, bass trombone, and piano
Saxophone, bass clarinet, and piano
Viola, bass clarinet, and piano

$30.00
$30.00
$30.00
$30.00
$30.00
$30.00
$35.00
$35.00

Description

Mahogany Moods

For saxophone, bass trombone, and piano
Duration: 13′

Premiered on September 21, 2015 by Tim McAllister (saxophones), Randy Hawes (bass trombone), Kathryn Goodson (piano)

Adapted for the following:
Viola, bass trombone, and piano
Saxophone, bass clarinet, and piano
Viola, bass clarinet, and piano

Program Notes:

I’ve been very fortunate to have been able compose for some of today’s great instrumental soloists, and “Mahogany Moods” is certainly no exception. Being asked to write a piece for Tim McAllister, Randy Hawes and Kathryn Goodson is like being asked if you wouldn’t mind winning the lottery.

The 2nd part of the title – “Moods” – is self-explanatory. The piece winds its way through various states of nostalgia, “cool”-jazz, funkiness, anxiety, pathos and excitement.

I arrived at the first part of the title – “Mahogany” – in a round-about sort of way. I was trying to think of something that captured the three performers, and I was led to Mahogany when thinking about their rich sounds, and also the common material often used for piano construction. It was only after finding that word that I realized how perfectly it matched their names: “M” for McAllister, “H” for Hawes, and “G” for Goodson, spelling “MaHoGany”.

My main goal of the piece was to give players of this caliber a vehicle for self-expression, while being enjoyable chamber music to perform. I certainly am indebted to them for giving me the opportunity for this collaboration.

Jim Stephenson; August, 2015

Program Notes (original version):

I’ve been very fortunate to have been able compose for some of today’s great instrumental soloists, and “Mahogany Moods” is certainly no exception. Being asked to write a piece for Tim McAllister, Randy Hawes and Kathryn Goodson is like being asked if you wouldn’t mind winning the lottery.

The 2nd part of the title – “Moods” – is self-explanatory. The piece winds its way through various states of nostalgia, “cool”-jazz, funkiness, anxiety, pathos and excitement.
I arrived at the first part of the title – “Mahogany” – in a round-about sort of way. I was trying to think of something that captured the three performers, and I was led to Mahogany when thinking about their rich sounds, and also the common material often used for piano construction. It was only after finding that word that I realized how perfectly it matched their names: “M” for McAllister, “H” for Hawes, and “G” for Goodson, spelling “MaHoGany”.

My main goal of the piece was to give players of this caliber a vehicle for self-expression, while being enjoyable chamber music to perform. I certainly am indebted to them for giving me the opportunity for this collaboration.

Jim Stephenson; August, 2015

Composer’s note: Shortly after the premiere of this work, I was contacted by Allen Cordingley (after he had performed another work of mine) to see if I might consider a new version, replacing the bass trombone with bass clarinet. I am thankful to Allen, as I would have never considered creating this type of version. Therefore, this version for bass clarinet (instead of bass trombone) is commissioned by and dedicated to:
ensemble 135: Corey Mackey, Allen Cordingley, and Elaina Burns

Additional information

Duration

12'

Type of Purchase

Shipped Parts

Type of Work

Original Work

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